It's safe to start bashing cops again!
In the dark cloud of September 11th, the most horrifying act of Muslim terrorist butchery so far perpetrated on American soil, there was at least one silver lining - a resurgence in American patriotism and pride, which is now swiftly fading away.
After decades of left-wing propaganda that no difference exists between the United States and the rest of the
world - between America, on the one hand, and the degenerate states
of Europe, and the Marxist states of Russia and China, and the Third
World hell holes of the Middle East, Africa, Asia and Latin America,
on the other hand - beleaguered American patriots suddenly had the upper hand in the culture war raging across
our country to rescue her from those who would grind her into the
dust of secularism, relativism and globalism. Nobody with any common sense - even young people subverted and perverted for decades
by CNN, CBS, MTV and many other media propaganda tools - could look
at 911 and continue to think that the rest of the
"just like us," or even better than us, and that those in our country who hate and bash America have the moral upper hand.
|After September 11th, even notorious Hollywood cop-haters cashed in on America's resurgent patriotism - In the wake of the World Trade Center slaughter, Denis Leary starred in a short-lived television drama about New York City firefighters. A previous Leary series dealt with a "rogue cop" addicted to alcohol and violence. Together with his friend, the late Hollywood director Ted Demme, Leary was a founder of the cop-hating MTV, which for the past twenty years has been relentlessly pumping a stream of black rap "music" and other violent, degenerate, anti-social filth into the impressionable minds of American youth. (As noted in a previous jtfarchive.org article, Ted Demme made a movie called Blow, released in February 2001, starring the America-hating Johnny Depp, about a "noble" cocaine smuggler. Demme shortly thereafter "blew" a gasket and dropped dead of a cocaine-induced heart attack while playing charity basketball for "disadvantaged" black youth in Los Angeles.)|
This resurgence of patriotism and pride was even felt in the degenerate "entertainment" cesspool known as Hollywood. For a brief period after the terrorist attacks, say about six months to a year, Hollywood's films and television took a definite turn in a direction not seen in many decades, namely a respect for the traditions of America, for law and order and the officers of the law who enforce the will and guard the safety of the people, and for the religious and moral traditions which made America great - which made her, as one of the Founding Fathers said, mankind's best hope to build a new world since Noah set his foot off the ark.
Not that Hollywood's sick denizens turned patriotic overnight! Far from it. Indeed, if anything, they were dismayed that the September 11th attacks might open people's eyes to the sewage of lies which the media has been pumping into the mainstream of American thought ever since the early 1960s. But at the same time, the Hollywood elite realized that if they dared to buck the tide of the new patriotism, their profits, and with it their Sodomite lifestyles, would vanish like smoke. And so, being the next thing to prostitutes - prostitution and pornography are literally and appropriately Hollywood's second biggest industry after the cinema, as anyone knows who has traversed Sunset Boulevard - Tinseltown turned from its relentless propagandizing to doing what it has always done best, tailoring its product to suit its audience, producing films and television which would safely "play in Peoria" - which would pass the moral "smell test" until the "patriotism craze," as the American left deems it, blew over.
As pointed proof that this brief, shining moment in American entertainment is passing swiftly away - as proof that Hollywood is once again losing its fear of outraged American patriots and returning to its old habit of doing everything in its power to tear America down - JTF presents the Hollywood abomination known as Assault on Precinct 13.
Assault on Precinct 13 is a remake of a film of the same name which depicted the attack on an isolated Los Angeles police precinct by gang members intent on freeing one of their own from a holding cell. The original Assault, a product of the 1970s, admittedly had its own flaws - the gang members were ludicrously depicted as multiracial rather than purely black or Hispanic, and the hero of the story was a black police officer in alliance with a hardened, self-interested white criminal intent on his own escape from the gang - but at least the police were the heroes of the piece and the gang members were depicted as what they are in real life - vicious, brazen, drug-peddling thugs who think nothing of pumping poison into the veins of little children and gunning them down in schoolyards.
|Left-wing Hollywood pretty boy Ethan Hawke plays a "tortured white cop," haunted by memories of an "undercover bust gone bad"|
Fast forward to 2005 and the remade Assault on Precinct 13. Sure enough, it is now the gang members who are the heroes of the story, and the police who are the villains. It is an imprisoned gang leader who holds incriminating evidence against an army of "rogue cops," and it is this same army of "criminals in blue" who attack the precinct house to assassinate him before he can reveal their violence and corruption.
In the days following September 11th, which witnessed the heroic deaths of hundreds of policemen and firemen in the doomed Twin Towers, nobody, not even a Hollywood degenerate, would have dared to mock and to denigrate the law enforcement profession in so vicious and brazen a fashion. Even Denis Leary - the Hollywood degenerate who passes himself off as being "from the old neighborhood," and who once starred in a television "drama" about a crazed, alcoholic police detective - rode with the tide after the 911 Muslim terrorist butchery by taking the guiding hand in a short-lived television series about New York City firemen. But now, it would seem that police officers are once again fair game for every lie and smear which Hollywood cares to aim at them.
|Black rap "musician" Ja Rule is Hollywood's idea of a "hero" - He was arrested in Toronto during the filming of Assault|
|A "noble" Hispanic heroin addict is another Precinct 13 prisoner|
It is also noteworthy, but not at all surprising, that Assault was directed by a French director, Jean-Francois Richet, a member of Europe's film making industry, which if anything is even more degenerate and even more hateful of America than Hollywood itself. The French are of course experts on racial problems in America, much more so than the everyday American citizens who must daily endure the offenses, and frequently the violence, of living cheek to jowl with lazy, ignorant, arrogant black criminals.
|America-hating French director Jean-Francois Richet was responsible for Hollywood's latest "assault" on decency and morality - Assault on Precinct 13 was filmed in Canada, whose government and media are even more left-wing than those of the United States|
|The real - black - face of American crime - Black rap "music" mogul Irv "Gotti" Lorenzo is led away in handcuffs by federal agents on charges of drug conspiracy and money laundering. (Lorenzo is Ja Rule's manager and deeply involved with rap "music" ventures like the aptly-named Murder Inc. and Crack House Studio.)|
What makes this story especially noteworthy is the real-life crime news accompanying it. One of the stars of Assault on Precinct 13 was the black rap "musician" Ja Rule, who naturally played one of the film's gang member heroes. This creature, whose real name is Jeffrey Atkins, 28, was arrested in Toronto during the filming of the movie after an "altercation" in the La Rouge nightclub, at which he and his entourage clashed with members of a rival rapper's gang.
Curiously, Ja Rule's arrest escaped widespread media attention, as did his previous arrest record - marijuana possession, resisting arrest and a fatal shooting at another nightclub, at a party hosted by Ja Rule himself - and his connection to rap "music" mogul Irv "Gotti" Lorenzo, founder of Ja Rule's record label Murder Inc., and now arrested, along with several of his confederates, for laundering drug money.
|Ja Rule and a black gangster friend - They are making gang signs, standing in front of African rugs and wearing the Mecca brand "threads" favored by black street thugs|
Wake up, America! The same media Sodomites who glorify black gang members - America-hating savages who pump poison and bullets into the bodies of their own children - are once again pumping their moral poison into the veins of your children, and will continue to do so unless you do something about it.
JTF wants to help organize a potent movement of right-wing righteous Gentiles in America, similar to the strong right-wing Jewish youth movement that we have succeeded in building in Israel.
For the sake of America, Israel and the West, we hope
and pray that we can motivate
G-d-fearing American patriots to act.
In your heart, you know we're right. And in your guts, you know they're nuts.
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